Monday Monday week 3 - Do All the Things!

http://hyperboleandahalf.blogspot.com/
For serious, read this blog.

Okay, so uh, what all did I do this week:

Love me, love the occasional Batman Bandage

Nail polish break went poorly so I finally re-polished Sunday. My nails were getting shorter and shorter and my cuticles longer and longer so it was high time. I am at the point where I can't file any further without removing flesh on several of my fingers because of the way my nailbeds attach underneath (that is literally as short as my pointer and middle fingers can get right now).

I used this FANTASTIC "Super Juiced" colour I recently picked up from ILNP mostly because my hair was going to stain whatever colour I used blue anyway so might as well go with it. My nails are nubby and my cuticles are a mess, but hey, at least the colour is sexypants.

Cannibalized a mood ring and a crappy old needle into a fingertip laying tool with the magic of pliers and E6000 glue and so far I'm pretty jazzed. It's butt ugly and I want to blunt the needle a bit more, but it's comfortable to wear and works like a charm. Thankfully (?) with the mind numbing amount of black background in the cross stitch project I've been focusing on this week I have had PLENTY of opportunity to practice with it .

Got into a discussion of floor stands and Qsnaps (a popular style of needlework frame) on a Facebook embroidery group Saturday and decided to try out the combination on my stand. I have an Edmunds Stitch Master Floorstand which is not the sexiest thing out there but for the price (half price with a Joannes coupon, in fact) it is pretty good for my purposes. It's a bit tippy but I have zip tied it to a box which lets me wedge it under the edge of my couch.

I used a shelved Supernatural themed Work in Progress (or WIP) to test it all out and figured while I was at it I might as well get some work done on it. All I had left was stupid annoying really effective backstitching so I had at until it was done. It's all stitched so I just need to wash and mount at this point. I think I want to try out a padded mount for this as I hate how glass looks over embroidery.

As a... break? (am I crazy? I'm starting to think I'm crazy) from cross stitching I decided to try a blackwork project so I spent much of Sunday getting the fabric prepared for that. I've decided to do the astonishingly free Box of Delights by Elizabeth Almond of Blackwork Journey ( <- link is the designer's own Pinterest page, in case anyone is worried about copyright. Her own page doesn't have such a nice spread of pics, but it is here).

I had originally tripped over her also astonishingly free Save the Stitches design first but having never done much (or really any) blackwork it is WAAAAY too rich for my blood. I like how this one is worked in perfectly reasonably sized little chunks.

It's the perfect project to use a silver 32 count linen I've been hoarding and this particularly lovely aqua I've been drawn to every time I open my floss box. I'm basing my piece more on the blue and white version but with a darker outline. The aqua will be the patterned part, the darker blue will be outline, and the coppery colour will be used in place of the metallic thread her original design calls for.
I did say this was supposed to be a break and metallic thread is not a "break".

Why yes, DIY grime guards ARE on my imminent to-do list, why do you ask?

I've got my fabric all mounted and prepped but... [EDIT]
I had a whole thing about being daunted by Holbein stitch here but then I woke up this morning to find out via Facebook that it's not designed for Holbein at all and is instead entirely worked in backstitch (woo, more backstitch!). Which tells you something about how well Elizabeth Almond supports her patterns as that wasn't even eight hours and she lives on a different continent.
This is, might I add again, a FREE PATTERN.

I'm in the process of kitting up another (considerably more detailed) David Bowie cross stitch but I have to pick a fabric and set up project cards so that'll be a little bit still.

I have some family stuff coming up this week and a major apartment layout overhaul planned so I'm not sure how much interesting stuff I'll get done in the coming weeks but fingers crossed I'll get some tinkering time.

What kind of house doesn't have salt?

So, there's this show called Supernatural.

Perhaps you've heard of it?

I uh, have some *feelings* regarding this show and so when I saw that Incidental Twin not only had SPN themed polishes but one PARTICULARLY FREAKING COOL polish I had to have it.

*cough*andabouteightotherpolisheswhichyouwillbeseeingallingoodtime*cough*

Every time I pick up one of the Incidental Twin polishes I'm not sure how it's going to work out. They're somehow just different from other polishes I've ever used... but at this point I've been impressed with the results EVERY time so I just go with it. I actually have a custom order in the works right now!

I hatched a plan to do a particular manicure for the final episode of season 10 using the Incidental Twin polish, a Supernatural themed stamping plate from Apipila, and Snowed In - a white stamping polish from Hit The Bottle which I bought off of Beautometry.

Those tiny black flecks, that's real CHARCOAL.

The hazy cloudy voids in the design, that's not a camera issue, that's SALT.

If there was ever a mani that needed a macro

A deep translucent charcoal jelly sandwich of protective sigils in a suspension of salt, charcoal, hex glitter in two sizes, and micro glitter "embers".

When I started I was REALLY dubious. I was sure that somehow I was going to mess this up. I was convinced that the polish was not going to layer how I envisioned, and that the stamps would be smeared and too busy, but I stuck with it and I think it came out even more amazing than I had hoped.

It's been a bit of time since I did the pics but I believe the base was CnD Stickey base coat, two coats of Salt And Burn, and a coat each of American Classics Gelous and Poshe topcoat to smoothe it out for stamping. 

I stamped each finger, sealed with Poshe again, put a final layer of Salt and Burn over the top to add depth, and finally smoothed and sealed with the same Gelous-Poshe combination.

I found a neat trick to use hairspray to keep the stamp from smudging From Youtube user Denisejohn65 - Nail Ed which seemed to work great! I'm pretty sure if I had to take this off to fix smeary stamping there would be salt from crying in the mix as well.

I was worried the polish layers wouldn't stick on top of the hairspray but there were no issues with the technique as far as I could tell. I will absolutely be doing this every time I stamp.

A very Supernatural season ender manicure special

I've been sitting on this post for no reason for months but I figured the new season was as good a reason as any to get back on the horse!

Stampy McStamperson

I finally started poking at nail stamping and haven't posted my last two manicures so I figured I should let you know what I've been up to.

I got a Konad Coraline type B stamping set on a whim a few years ago along with a couple of random Konad plates (M28 and M60) and later received the Pueen 2013 plate set for a holiday gift. They have been very safely tucked away in a little decorative box and shoved in the back of my nail polish tools ever since.

I follow some AMAZING artists on FB and Instagram so I've been researching stamping on and off for a while, but have been too chicken to try until this past Valentine's day when I did the manicure just below. I wasn't terribly unhappy with the final result but it was immediately apparent that I was going to need a few more tools to get the effects I wanted. 

Well, not to mention of course practice. A LOT of practice.

Valentine's mani in a berry coloured creme with sheer stamped hearts on the ring finger and rose gold glitter on the pinky. 

I kind of wish I had left off the rose gold as it was so much higher visual impact than the stamping. I know this pic isn't the greatest but it was VERY hard to get a shot where glare did not wash out the hearts.

The sheer, faintly holo pink is very pretty, but wasn't really the effect I was looking for. I assumed that since it was a Konad polish it would be more opaque, but that's what I get for assuming. I lined this finger up pretty well but the left was a few degrees off.

This was also the absolute limit of nail length I could stamp with those Pueen plates, as I confirmed doing my next mani. The 2013 Pueen plates have a concave curve-in at the bottom of each design which frankly makes NO sense since it cuts a good couple of millimeters off of the usable length of the designs. It does look like this has been fixed with later plates but that doesn't help me much with the ones I already have.

My next attempt at stamping was a crocodile mani inspired by a really deep leathery green Sally Hansen Insta Dri polish I had just picked up.

Deep forest green creme mani with croc skin stamping over a pale green with a glassfleck finish.

This design doesn't look half bad from normal viewing distance but up close it is NOT the effect I was going for. The dark green reads more black than I had hoped and it turns out that at that scale a croc skin pattern just looks... kind of messy.  I feel like I should have put some kind of lizard stamp on another nail as a "this is what you are looking at" key.

Again I expected the green to stamp more opaque. I did try out the polish on paper a few times both for colour and to make sure my stamper was primed properly, and it looked okay there but the glassfleck just overpowered the dark green. The level of contrast here just did not do anything justice. Even though the stamping is the same polish as the rest of my hand it looks completely different and doesn't look tied together at all. I think I would try this again with closer coloured base under the stamping, or possibly even with shiny stamping over a matte base.  Also the Insta Dri nail polish dried really fast all right, but I don't think that was so helpful in this particular design.

The pattern was definitely too short for my nails. It barely covered my ring and middle fingers and would not have covered my thumb. Because it was kind of abstract I was able to restamp in a couple of places to fill holes, but obviously this would not work with a more regular design.

So what now?
This is going to be a limited technique for me until I get a few more tools. Luckily(?) I'm tired of winter and am engaging in lots of retail therapy so a few of those tools are already on their way. In the last two weeks I bought three stampers and six plates. All of the plates were either larger scale designs or all over etched plates.

The main issue I have is due to the shape of my nails. I have a wicked double convex curve to my nails and for a firm stamper like the Konad one to work I have to either squish it so hard I will distort the design (also that's really uncomfortable), or roll the stamper around in a spiral pattern (yeah, that's not going to get messed up) to cover top to bottom and edge to edge.

I love the way my talons look most of the time, but this makes nail art SUCH a pain in the butt!

I have similar problems with all stencils, tapes, wraps, and charms... pretty much any thing which requires a flat surface of any sort to work is a no-go for me. Also really annoying for touch screens because when my nails get long as I have to use odd parts of my finger.

Based on the issues I had with the firm Konad stamper I decided I wanted a supersoft XL stamper. I'm also really interested in trying the reverse stamping (kind of DIY wrap) technique I first saw via this video from Instagram user Sveta_sanders so I want a really large stamping surface.

For a really fantastic video of this process I highly recommend this video from blogger / youtuber / instagrammer Cassis Peach.

The first purchase was a large round silicone Creative Shop stamper from Beautrometry. Since this is currently back ordered pending a restock shipment from the Ukraine I also ordered from AU retailer Messy Mansion and got two XL rectangular stampers on the squishy side (one purple, one white) and three plates  (MessyMansion22, MessyMansion44 and Leadlight Lacquer05). According to the tracking site these are currently in Georgia so I should have them within a few days. I like that all of those stampers have deep curves to them so I think it will be easier to get reverse stamps to sit well on my nails.

A couple of days after that I saw a Facebook post from Lacquer or Leave Her on MoYou London's duochrome stamping polishes and found out that they have a David Bowie themed stamping plate (Rockstar09), so I finally bit the bullet and bought it along with two more plates (Festive15 and Fashionista11).

Yeah, like I wasn't going to buy this.

I had wanted to buy some of their duochrome stamping polishes but fiscal responsibility finally prevailed. Polish texture obviously makes a difference so I do want to pick up some stamping specific polishes. Cassis Peach apparently swears by a Mexican stamping polish called Mundo de Unas so that's going to be the next on the shopping list. It's very reasonably priced, but I've declared wallet truce until all of the stuff above (and a polish order form Lucky13 Lacquor) comes in.

Random Acts of Manicure - Storm's End

A complicated deep bronze manicure accented with stormy teal blue.

This is the trailing edge of a sudden summertime storm - roiling backlit clouds on one side of the horizon, rainbows on the other.

Nail Nation 3000 custom artisan 5free polish sucked me in with the a dead sexy purple glitter holo and caught me tight with my love of pets (and flakies).

This particular polish is part of the Rainbow Bridge collection where each rainbow drenched colour is named after a different beloved pet. A brief story of each namesake is listed on the site, and well, I'm a sucker for that kind of thing.

Penny's Holo is a sort of bronzed coffee tone which is very clearly PACKED with rainbowy goodness. I've been really into bronzes lately and Spectraflair is my JAM, so I really couldn't resist. It was a little darker/browner than I had expected when all was said and done, but still a gorgeous colour. It does seem to photograph a bit toward the bronze/olive side here but the pics on the site are fairly true.

It chipped fairly fast but I didn't use the Gelous nail coat for this mani and frankly I think my topcoat is aging out. Everything I wear is chipping within two days right now so I'm reserving judgement on longevity for the moment. The formula was surprisingly dense and could have possibly even covered in one coat if I had laid it on thick.

The stormy teal is Fashionista, which is the Revlon dupe for Essie 782 Go Overboard I mentioned in my last post. I think the accent really perked up the cooler tones in the spectraflair. It went on a little thinner than the Essie but it covers beautifully in two coats and seemed to have reasonable longevity. I actually tend to find Essie polishes a bit odd to work with texturally but they finish beautifully and wear well.

Bonus: sometimes removing colours with Spectraflair in them is a bit of a fight but this came off nicely.