Monday Monday Part 5 - A New Beginning

The Friday the 13th reference is apropos of absolutely nothing, that's just where my brain went this morning.

Not as much to report this week as I would like.

Tuesday night was game night, so unless you have interest in my very bare surface understanding of the Dungeons & Dragons 5e system there's not much to go into there.

Lvl 2 Goliath Barbarian, in case you are wondering

Wednesday was colour session one on my Halloween inspired bat sleeve with John Lally at Masquerade Tattoo. It was a bit gruelling but so cool to watch the piece start coming to life bit by bit.

At our first break I texted this pic to my husband and it was the first time I had gotten to see it from the "proper" angle. What looked like some nifty shading from my perspective practically jumps off my arm in 3D from the right side up. There is, not incidentally, an entire BACK of my arm to this project as well.

Interesting note; I am apparently more upset about the movie Prometheus than I am about someone repeatedly and painfully injecting ink into my arm over the course of several hours. Anyone who feels like having a captive audience to talk about horror hit me up for when my next appointment is scheduled.

I'm not entirely joking. It really helps.

Thursday I got to hang out with the family, my Mom is doing better every day and seeing my brother is always a pleasure.

Friday was kind of a crappy day at work so when I got home I buried myself in TV and crafting. My husband eventually went out to a local music show leaving me to my own devices.

These devices apparently didn't involve hitting the bathroom until about 8:30... which is when I found this Limecrime lipstick I've been eyeing for months casually taped to the mirror! Because my husband is the ginchiest I now have Velvetine lipsticks in Beet It, Utopia (the color I wore for my wedding), and Pansy. I just realized all three of these colours are LEs, woo!

I will probably continue eyeing Red Velvet and Wicked (both reds) for some time to come. My current go-to red is NYX Soft Matte Lip Cream in Monte Carlo. Not that I have any lack of red lipsticks but when you got one that really works it can be hard to commit to an untried product for a night out.

Craft wise I switched up working on the Blackwork piece to get some work done on Shades of Red. So far everything in this piece has been a study in extremes. Huge blocks of slightly mind numbing unrelenting black background or incredibly fussy "confetti" stitching of no more than three stitches of one colour at a time. Thankfully the next section should be a much larger section of colour which will hopefully be a bit more laid back.

I'm realizing as I get further into this project that I like the higher count fabrics more and more and I think I will be sticking to 1/1 on 25 count and up from now on. I thought the lower count would be easier on the eyes but it's not really until you get to 18 and the annoyance of dealing with two strands of floss for proper coverage on a full coverage project is NOT worth the small amount of relief.
I don't think the dark color of this fabric is helping much either.

I'm sort of gearing up to work on the Bowie piece. I FINALLY settled on a fabric but I prefer to work with floss cards and making your own floss cards for intricate designs with upwards of 75 colours is possibly even fussier work than much of the cross stitching itself.

Controlled Chaos

There used to be a system available from a brand called LoRan with little soft binders and pre-punched cards, Dritz has taken over the cards but they don't have enough colours on each card for the sorts of projects I do and they are small for my needs (also SPENDY). I am strongly considering altering some kind of 3 ring datebook to be a project floss holder. Come to think of it I should have a really nice pink leather one lying around somewhere that would probably be just perfect.

As far as the #yearostitch project I am really hoping to get that underway in the next few days. I just haven't taken the time to find the first entry (um, nevermind... check) and take stock of what fabric I will need. I kind of like how Instagram user @Queenofslacking has laid it all out in 20x20 blocks so I'll probably do something like that.

OH! I sort of idly mused last night that I hadn't seen a ship notification for that cone of thread I mentioned buying last week only to dig back through my emails and realize I never.... actually... ordered it.

I know I hit submit on Paypal but I'm pretty sure I must have closed the browser before hitting the final submit on the full order, so I went to do it aaaaaaall over again. I missed out on the shipping coupon but happily the cones were still half off, and threw in a clip on magnifier to boot since I've resigned myself to staring cross eyed at impossibly fine evenweave for the next decade or so.

Oh also, Cheeeeese Gromet!
My Cheese of the Month delivery came on Saturday. I've already tucked into the Dubliner and the Mellville and can highly recommend both on their own merits.

Rebel Rebel

I've decided that not only am I doing the bat design with the stitches in different directions as previously discussed... I'm apparently now kind of obsessed with the idea of playing with texture and stitch direction in cross stitching.

While I agree doing things haphazardly in all different directions can look messy and detract from a pictorial piece that's no reason to abandon the idea of deliberately working with texture to create a desired effect.

One of the specific joys of many other types of embroidery is the play of light on directional stitching... so why is this such a taboo idea in cross stitching?

Historically, changes in texture are EXACTLY how we create visual interest in regular, single material objects. Jacquard, knitting, card weaving, pressed velvet, mosaic work, crop circles, magnetic nailpolish... texture play is everywhere!

I'm kind of obsessed with herringbone so I'll probably start there, but yeah, expect some experiments.

New Project - Na na na na na na na na Bat Square! (phase 1)

My next project - Bats by Tantes Zolder

My husband and I are very keen on bats so the minute I saw this design I knew it would be ALL over my home. I plan to do several versions of this in different coordinating tone-on-tone colourways to be framed up as coordinating pieces.

This iteration of the same pattern done by SweetPeaStitching.blogspot.com

Phase 1 is all mounted up and gridded out in 18 ct oatmeal coloured Aida cloth to be stitched in a bronzey goldy olive green thread.

So far I also have a white on white and a black on black planned (and materials sourced) but I'd love to do some more contrasty versions too - cream thread on lilac fabric is one version I have in mind and I'd also love to do something on a natural or grey fabric with white polka dots.

I'm a leeeettle obsessed with that particular shade of green right now. I wish I could have found a closer fabric but there's not a lot of variation in Aida cloth 

The *only* thing holding me up from starting in at this point is a style question and I'm waiting for some other brains to chime in:

I know the prevailing cross stitch logic is to do the whole piece with the stitches in the same direction BUT since it is a reflected medallion sort of thing and very texture oriented I'm thinking it might look cool to stitch each repeat separately from the top down in the same direction so that each has its own sort of texture.

I think that makes sense, I hope that makes sense!

Is this just crazy enough to work... or just crazy?